Set you HV40 to 24F...you'll shoot in 24fps progressive, let your NLE program indexing your stream and you'll be done. The PF24&PF30 needs to remove pulldown in order to work with progressive footage...
Set you HV40 to 24F...you'll shoot in 24fps progressive, let your NLE program indexing your stream and you'll be done. The PF24&PF30 needs to remove pulldown in order to work with progressive footage...
Anyone knows if it's possible to change an NTSC HV30 to a PAL, I mean to switch the system in one.
I have an HV30 NTSC and a friend of mine has an HV40 PAL, and I want to be able to do 2 camera shoots. I know someone did once an accidental switch from PAL to NTSC with some special remote, on some other camera brand, and then they switch it back to PAL.
You should be able to do a 2 camera shoots if you set them to 24f (NTSC) and 25f (PAL). By shooting with a 2 camera setup, you'll have shorts clips : which means -> switching from one camera to the other for the final cut. So 1 fps won't do a big difference in the end..or, for more professionalism, you can convert it from 25 to 24 fps (23.796 actually) with After Effects or another program. That would be an option...
Thank you so much... i didnt have the knowledge inthis now i get an idea about this.. thks a lot:-)
Sensores Laser
Thank you so much... i didnt have the knowledge inthis now i get an idea about sensores laser.. thks a lot:-)
"It is dark the other side. Very dark!" - "Oh, shut up and eat your toast!"
Thank you so much... i didnt have the knowledge inthis now i get an idea about sensores laser.. thks a lot:-)
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